Baltijas pērli atklās Andreja Končalovska filmu retrospekcija

finally I read it. This connection is woirnkg very slow so it took me a while to read it!I got stuck on the how to make space for the other .I will talk more about space for the other choreographer, space for other choreography. I was thinking that the layers that we are talking about: light, sound, space ( as physical space ) can represent so called space for the other. For instance changes like shift of light, shift of music ( can be also from silence to sound ) or shift of space could represent the door to enter the other choreography. which means that we would have three choreographies that are shifted to one another following the changes in light, sound and space. Questions are:- what happens with the choreography that is shifted from? Do we stop? Or do we play with stops? Since we are talking about Bazar there is a big connotation of chaos but once you decide for one particular item your path become very clear. Meaning all three choreographies at the same time and then we play with stoping them??? And what does that mean for the other elements-media involved in the event, sound installation, written word installation, visual?- and we have loops! Do we wont in each loop to follow one particular media, like sound, so in the next loop we would follow light and in the next one space. Like that we would have same material worked on from different points of view?? For me this idea is very close to the idea of communication. How do you make communication happen and what is collective mind about?hope you understand what I meanm